Up front in the Norton Museum of Art’s new "Cocktail Culture" exhibit is a video clip of William Powell in full alcoholic splendor in 1934′s The Thin Man, a movie in which Powell might be completely sober for perhaps 10 minutes.
Those were the days.
Nobody got swozzled better than Powell – he made it look desirable. (I shudder to think of the vast number of alcoholics created by people trying to emulate the debonair drunks of 1930s movies.)
The film clips and objects in the Norton exhibit both precede and post-date Powell, but they don’t surpass him – nothing could.
The earliest parts of...
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